Gendered Power Relations in The Death on The Nile Film (2022): A Critical Discourse Analysis
DOI:
https://doi.org/10.31503/madah.v15i1.720Kata Kunci:
gender, relasi kuasa, film, Death on the Nile, AWKAbstrak
Penelitian ini bertujuan untuk memahami representasi dan dinamika relasi kuasa yang berbasis gender, sebagaimana tertuang dalam film "Death on the Nile" (2022). Secara khusus, artikel ini memfokuskan pada peran dan norma sosial yang mempengaruhi relasi gender di antara para karakternya. Untuk mencapai tujuan tersebut, penelitian ini menerapkan Analisis Wacana Kritis (AWK) Fairclough yang memungkinkan kita untuk mendalami relasi kuasa di antara karakternya. Analisis Wacana Kritis Fairclough ini mencakup analisis mikro (teks), meso (produksi dan konsumsi teks), dan makro (konteks sosial) yang akan diaplikasikan dalam film. Hasil analisis ini menunjukkan bahwa relasi kuasa yang berbasis gender dalam film ini digambarkan melalui relasi kuasa dalam hubungan perkawinan, di mana konsep kontrol dan kepemilikian merefleksikan norma norma sosial yang ada di dalam Masyarakat. Relasi kuasa dalam hubungan cinta ini memainkan peran penting dalam dinamika hubungan kedua belah pihak, dan memperlihatkan bagaimana perasaan yang kuat dan perasaan ketergantungan sangat terlihat dalam praktik sosial. Selain itu, relasi orangtua-anak juga menjadi sorotan dalam analisis ini, karena relasi kuasa orang tua terhadap anak terus berlangsung meskipun anak-anak tersebut telah dewasa. Temuan ini memberikan dasar untuk penelitian selanjutnya terhadap film ini, dengan mempertimbangkan berbagai aspek yang lain seperti faktor-faktor sosial, ekonomi maupun budaya yang mempengaruhi representasi gender dalam film ini.Referensi
Aichatou, A.N. (2021). Discursive Analysis of Hausa Language Use in a Kannywood Film: Basaja Gidan Yari.
Alonso-Ferres, M., Righetti, F., Valor-Segura, I., & Expósito, F. (2021). How Power Affects Emotional Communication During Relationship Conflicts: The Role of Perceived Partner Responsiveness. Social Psychological and Personality Science, 12, 1203 – 1215.
Carpentier, N., Doudaki, V., & Rozsypal Pajerová, A. (2021). Conflicting and entangled human–nature relationships: A discursiveâ€material analysis of the documentary film Kiruna †A Brand New World. People and Nature.
Chudzicka-Dudzik, P. (2022). At the Crossroads of Gender, Power and Audiovisual Culture: Female Politicians and Businesswomen as Represented in Polish Cinema after 1989. Historia i Polityka, 49(42), 43-54.
Doro, P. (2018). Vengeance Is Mine: Gender and Vigilante Justice in Mainstream Cinema. American Revenge Narratives: A Collection of Critical Essays, 227-244.
Fairclough, N. (2013). Critical discourse analysis. In The Routledge handbook of discourse analysis (pp. 9-20). Routledge.
Fatmawaty, L.S., Udasmoro, W., & Noviani, R. (2022). The Body Politics of Gendered Subjects in Indonesian Post-Reform Films. Rupkatha Journal on Interdisciplinary Studies in Humanities.
Feizabadi, A.S. (2014). Competing patriarchal and feminist discourses in selected films of Tahmineh Milani.
Gunnarsson, L. (2016). The dominant and its constitutive other: Feminist theorizations of love, power and gendered selves. Journal of Critical realism, 15(1), 1-20.
Hallenbeck, P. N. (1966). An analysis of power dynamics in marriage. Journal of Marriage and the Family, 200-203.
Hassen, R. (2016). Genres and Public Events to Understand Discourse in Social Context: A Critical Discourse Analysis of ‘Fatima Kori’. Journal of Culture, Society and Development, 21, 23-29.
Haugaard, M. (2022). Foucault and Power: A Critique and Retheorization. Critical Review, 34(3-4), 341-371.
Haworth, C. (2012). Detective Agency?: Scoring the Amateur Female Investigator in 1940s Hollywood. Music and Letters, 93, 543 - 573.
Hayes, N. (2013). The power of film. Nursing Older People (through 2013), 25(5), 3.
Lee, M. Y. (1995). Are There Long-Term Effects Of Parental Marital Conflict On Children's Marital Relationships?: A Study Of Hong Kong Couples. International journal of sociology of the family, 13-29.
Mulyani, A. S. (2022). Revisiting Feminist Strategies in Poetry: Gender, Genre, and Power Relation. Journal of Language and Literature, 22(1), 208-219.
Murray, K. (2014). Overlooking the Evidence: Gender, genre and the Woman Detective in Hollywood Film and Television.
Nevin, B. (2021). Female agency in the films of Jean Renoir. French Cultural Studies, 32, 388 - 402.
PeÅ¡ić, M. (2023). Critical Discourse Analysis As A Critical Social Study: Norman Fairclough’s Approach. PolitiÄka revija.
Rahayu, M. (2022). The New Image of Indian Girl in Sherman Alexie’s The Search Engine. Journal of Language and Literature, 22(2), 422-434.
Rahayu, Mundi (2016) Identity politics in Aladdin: from Arabian Nights to Disney animated film. Presented at 3rd Forum on Linguistics and Literature (FOLITER) Conference, October 27, 2016, Universitas Islam Negeri Maulana Malik Ibrahim Malang.
Rahayu, M., Emelda, L., & Aisyah, S. (2014). Power Relation In Memoirs Of Geisha And The Dancer. Register Journal, 7(2), 151-178.
Rizki, S. N. A., EF, A. H, & Fauzi, E. M. (2022). Analysis of Women’s Language Features in the Movie Cruella (2021). Madah: Jurnal Bahasa dan Sastra, 13(2), 181-194.
Sevea, I.S. (2014). “Kharaak Kita Oi!â€: Masculinity, Caste, and Gender in Punjabi Films. BioScope: South Asian Screen Studies, 5, 129 - 140.
Tim. (2022, February 9). Sinopsis death on the Nile, Misteri Pembunuhan Di Sungai nil. hiburan.https://www.cnnindonesia.com/hiburan/20220208192453-220-756674/sinopsis-death-on-the-nile-misteri-pembunuhan-di-sungai-nil
Trouble, G. (1990). Feminism and the Subversion of Identity.
Vial, A. C., & Cowgill, C. M. (2022). Heavier lies her crown: Gendered patterns of leader emotional labor and their downstream effects. Frontiers in Psychology, 13, 849566.
Wiedemann, T. (2019). Discursive practice of Combat Girls: the construction of social reality in contemporary German film. Studies in European Cinema, 16, 126 - 140.
Wildfeuer, J. (2018). It’s all about logics?! analyzing the rhetorical structure of multimodal filmic text. Semiotica, 2018(220), 95-121.
Willis, N. (2023). The Extent of Gender Stereotypes and Hegemonic Masculinity Within Film Characters. Journal of Student Research.
Dent, C. (2021). "Narrative Life" in Film and the Role of Screenwriting Practices. Journal of Film and Video, 73, 47 - 60.
Zhuge, L. (2022). Bargaining over Marriage Payments: Theory, Evidence, and Policy Implications.
##submission.downloads##
Diterbitkan
Cara Mengutip
Terbitan
Bagian
Lisensi
Hak Cipta (c) 2024 Mundi Rahayu, Vayevienda Muhammad
Artikel ini berlisensiCreative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
The author who published an article in the Madah journal has agreed on the following points.
- Author retain copyright and grant the journal of first publication with the work simultaneously licenced under Creative Commons Atribution Licence (CC BY-NC-SA 4.0) that allows other to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are allowed to publish articles that have been published by the Journal of Madah through separate contractual agreements for non-exclusive dissemination (e.g, placing them into an institutional repository or publishing them in a book) by keeping the first issue in the Madah journal.
- Authors are permitted and encouraged to disseminate their work in cyberspace (e.g, in institutional repositories or author pages) before and during the submission of the text document as it can support productive exchange of earlier and broader credits.
